My first confession was both a failure and the most useful confession I have ever had. It taught me what it means to conceal one’s sins, what the consequences may be, and why confession cannot be reduced to a list of vague religious terms.
During one of my first visits to church, someone gave me a printed sheet listing all kinds of sins. It was a long document, printed in tiny type on both sides of a sheet of paper. I assumed it was an official guide to confession and thought, “How convenient. I can simply mark everything that applies to me and read it aloud.”
The result was an impressive collection of words—the names of sins, rather than an honest account of my life.
At confession, I began by saying, “I have shown cowardice,” and immediately moved to the next item. The priest stopped me and asked me to explain, briefly, what I meant.
That was when I understood two things. First, naming a sin briefly can be more difficult than describing it at length. Second, if I went through the entire list, the confession would take a very long time—and there were about twenty people waiting behind me.
In the end, I told the priest that I wanted to confess properly but needed more time. Unexpectedly, he opened a compartment beneath the lectern, took out two books and handed them to me. One contained the teachings of the Optina elders; the other was a life of St. Porphyrios of Kavsokalyva.
There was no full confession that day. And that was the right outcome.
Later, I read a teaching by St. Nikon of Optina about the way people often use general words to conceal their sins. They may think that this will calm their conscience, he wrote, but in reality, “the enemy of our salvation” is behind such concealment.
That passage made me ask myself an uncomfortable question: had I been trying to hide my sins? And if so, what might that concealment lead to?
A book about St. Porphyrios helped me move from vague concern to serious preparation. It described a vision in which the saint saw snakes emerging from the mouths of people who confessed and falling to the ground. But when someone refused to name a sin or tried to conceal it, the snakes gathered together and crawled back inside.
The image unsettled me. Yet it also made the spiritual reality vivid. Concealed wrongdoing does not disappear simply because we avoid naming it. What remains unspoken can continue to live within us.
A week later, I made my first complete confession in the same church, before the same priest. He suggested that I come at the end of the service so that the other parishioners would not have to wait. I do not remember how long our conversation lasted. I do remember that the priest who eventually read the prayer of absolution over me later became my spiritual father—not immediately, but from that moment a foundation of trust had been laid.
Looking back, I see that the failed confession brought me back to the beginning. Confession is not meant to be a formality, nor is it an exercise in selecting the correct vocabulary. It is an encounter with truth before God.
This does not mean that a person must produce a dramatic speech or provide unnecessary details. Confession should be honest, clear and humble. The point is not to impress the priest with the seriousness of our sins or to perform remorse. It is to stop protecting the image we have created of ourselves.
General words can be useful when they express a genuine understanding. But they can also become a hiding place. “I was weak,” “I was unkind,” or “I lacked faith” may be true, yet such phrases can conceal the concrete choices, words and actions that require repentance.
The first step toward healing is often the simplest and most difficult one: to call things by their proper names.
My first confession failed because I treated it as a procedure. I arrived with a list instead of a heart prepared to speak honestly. But that failure became a lesson. It showed me that repentance cannot be copied from a printed page and that no religious formula can substitute for sincerity.
Perhaps my first confession was supposed to go badly. Perhaps its failure was precisely what taught me how to begin.
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Woe to You, Actors
Alexey Shirikov
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